When you need edgy, underground electronic music Habersham is the one to bring it to you. And he’s brought it to every continent, building one of the strongest reputations as the come-to man for cutting edge, futuristic noise in all its forms for over ten years.

Dubbed a leader of the former progressive movement, Habersham saw early success and worldwide acclaim particularly for a handful of seminal releases: Cloud Brake, the tweaked-out Furball, both written with Phil K, Transparent Sound, the invasive Follow The White Rabbit, tech anthem Dryspell, Squarepusher-esque My Effingham Sound and his infamous emotion-heavy remix of The Unthinkable. Always drawing on stylistic influences such as Jazz, House, classic RnB and Soul, Drum and Bass, IDM, Electro and experimental Techno, his audience was presented with genre-bending cuts and quality second to none. But when he saw the progressive genre becoming diluted with formulaic, predictable artists and stigmas, Habersham was among the first of his peers to break away and experiment with unconventional, creative song writing. Habersham pioneered his sound utilizing off the cuff, dirty grooves with intense and surprising moments that aurally shine, like the sparkles on a tall glass of introspect.

Most recently Habersham’s discography shows a mature, polished subtlety and technical evolution. Outside The Box presented even more shades of glitchy warmth and organics, Song of The Lizard, a Miles Davis-like soundtrack for ‘Fear and Loathing in Las Vegas,’ his remix of Revitalized reminiscent of Thom Yorke, the twisted indefinable vibes of Darius Bassiray’s – Lorenzo remix and most recently as The Ones With Many Faces (TOWMF), a collaborative project between Habersham and Rift with full visual artillery provided by Cary Longchamps. Stay tuned for a monumental, timeless album currently in the works.

Habersham tours Australia this month:

Sun Jun 8 – Melbourne, Pretty Simple at Ffour
Sat Jun 14 – Sydney, Club Club at Chinese Laundry
Fri Jun 20 – Brisbane, Drop at Empire