Lukey
28-Apr-06, 01:02pm
It blows me away that a single person can release music on such opposite poles yet still be a the forefront. It leads to musical genius i suppose.
http://www.ghostly.com/1.0/img/artists/artistbar_dabrye2.jpg
Dabrye aka Tadd Mullinix, who also produces under SK-1 and James T Cotton for Ghostly International.
In his Dabrye guise he releases downbeat symphonies of eletro combined with jazz combined with hip hop all combined with sophisticated flare. He has even inspired artists such as Prefuse 73, who released a mix of 3 dabrye's tracks as a track on a Ghostly EP.
Should also mention that as James T Cotton, Tadd has ripped apart the techno boundaries and made some of the most ingenius and complex rhythms ever. Check out Dancing Box ep and Buck Ep on spectral.
Originally melting people with his downbeat twists now Dabrye is rolling down experimental hip hop avenues and is becomming one of the hottest up and coming artists in the US. That is all well and cool but i hope he still releases his non-vocal twisted tunes.
http://myspace-026.vo.llnwd.net/00277/62/09/277879026_l.gif
From his site:
ORIGINAL PRODUCTION ON LABELS: Ghostly/Spectral, Eastern Developments, TNT, Rewind!, Rephlex, Shockout, ~Scape, International DeeJay Gigolos, Udek, Muzique.
THE ALIASES:
Dabrye - (Hip hop inspired by P.E., DJ Premier, Kraftwerk, J Dilla, Dr. Dre;)
the sonic result of music realized in methods using drum machines, synths and step sequencing; the sonic pallette of new wave, electro, early industrial dance, synthie funk, and digi-dub - many of which were popular among skateboard youth and the air waves of Detroit's best, Electrifyin Mojo and The Wizard in the late 80's-90's.
James T. Cotton - (Influenced by; Robert Hood, Jeff Mills, Liaisans Dangereuses, Carlos Souffront, Traxx, )
acid from the Sleezy D (i've lost control) perspective, the drippy experimental counterpoint basslines of the 303 and similar squelch style step-seq arpeggiations, the acidic and edit aspects of belgian newbeat, acid of the 1990's Cologne (only the jackingest variety), interestingly juxtaposed and sometimes nonmusical hypnotic cycle phrases in dancemusic.
SK-1 - (Ragga jungle.)
Real mashed up. Usually produced with Soundmurderer (aka Todd Osborn).
check him out @
http://www.myspace.com/taddmullinix
Anybody else as blown away by this one as I?
http://www.ghostly.com/1.0/img/artists/artistbar_dabrye2.jpg
Dabrye aka Tadd Mullinix, who also produces under SK-1 and James T Cotton for Ghostly International.
In his Dabrye guise he releases downbeat symphonies of eletro combined with jazz combined with hip hop all combined with sophisticated flare. He has even inspired artists such as Prefuse 73, who released a mix of 3 dabrye's tracks as a track on a Ghostly EP.
Should also mention that as James T Cotton, Tadd has ripped apart the techno boundaries and made some of the most ingenius and complex rhythms ever. Check out Dancing Box ep and Buck Ep on spectral.
Originally melting people with his downbeat twists now Dabrye is rolling down experimental hip hop avenues and is becomming one of the hottest up and coming artists in the US. That is all well and cool but i hope he still releases his non-vocal twisted tunes.
http://myspace-026.vo.llnwd.net/00277/62/09/277879026_l.gif
From his site:
ORIGINAL PRODUCTION ON LABELS: Ghostly/Spectral, Eastern Developments, TNT, Rewind!, Rephlex, Shockout, ~Scape, International DeeJay Gigolos, Udek, Muzique.
THE ALIASES:
Dabrye - (Hip hop inspired by P.E., DJ Premier, Kraftwerk, J Dilla, Dr. Dre;)
the sonic result of music realized in methods using drum machines, synths and step sequencing; the sonic pallette of new wave, electro, early industrial dance, synthie funk, and digi-dub - many of which were popular among skateboard youth and the air waves of Detroit's best, Electrifyin Mojo and The Wizard in the late 80's-90's.
James T. Cotton - (Influenced by; Robert Hood, Jeff Mills, Liaisans Dangereuses, Carlos Souffront, Traxx, )
acid from the Sleezy D (i've lost control) perspective, the drippy experimental counterpoint basslines of the 303 and similar squelch style step-seq arpeggiations, the acidic and edit aspects of belgian newbeat, acid of the 1990's Cologne (only the jackingest variety), interestingly juxtaposed and sometimes nonmusical hypnotic cycle phrases in dancemusic.
SK-1 - (Ragga jungle.)
Real mashed up. Usually produced with Soundmurderer (aka Todd Osborn).
check him out @
http://www.myspace.com/taddmullinix
Anybody else as blown away by this one as I?