TechPhonics very proudly presents an absolute icon of electronic music, Detroit techno legend and pioneer - get ready for a solid workout with the official ambassador of techno music – the one and only DERRICK MAY. This is a strictly limited capacity event - no more than 200 tickets to experience DERRICK MAY for three hours...
Tickets are on sale for $30 + fees from
www.venuetix.com.au or direct from Matt Abstrax or Devious. We highly recommend you get your ticket ASAP as this event will sell out.
Derrick May - If one name crops up again and again in discussions of techno, it is that of Derrick "Mayday" May. Alongside Juan Atkins, Carl Craig and Kevin Saunderson, May is regarded as one of the kings of the Detroit sound. Inspired by Yello and Kraftwerk, he began to make electronic music with Atkins and Saunderson while studying with them at Belleville High, Detroit. Recording either as Mayday or Rhythim Is Rhythim (occasionally in conjunction with Carl Craig) and generally on his own Transmat Records label, he went on to carve out a new vein in dance music that synthesized the advances of the electro movement with the more challenging end of the House movement - a music that defined "techno".
Detroit Techno landlord and head of the internationally respected Transmat Records, Derrick May continues to move dancefloors with his no-nonsense Techno grooves. One third of the Belleville Three, this electronic legend arranges classic Detroit tracks in a timeless fashion: frantically beat-heavy yet soulfully warm. Nervous beats and breaks pound away at curvy synths and digital melodies that stand in the background of these vibesome grooves like an electric scalloped fence surrounding a celebrity's home. Confident rhythms charge at your chest through an invisible spiderweb of string samples holding your consciousness captive on the dancefloor.
Derrick May is one of the founding fathers of Detroit techno, a precursor of its many variants and particularly of acid house. His eastethic, skeletal, melancholy style gained him the nickname of "the Miles Davis of techno". He introduced both a psychological element and a futuristic vision in dance music. Utilising the familiar bass sounds with ever more complex beats, flange effects, twisting
chords and deep strings, May produced a catalogue of music that pushed the boundaries of what could be accomplished with electronic sound ever further apart. To many, the techno of Detroit is very much ingrained within the character and history of the City itself. A City that was isolated from the rest of America, with a downtown area in financial and architectural ruin, a deteriorating motor industry and the reputation of it being the 'murder capital' of America, Detroit, on the outset, seemed a desolate and empty place. In reality there was a spirit and soul there that lived on in the City's urban communities from its glory days and its great musical heritage. This mixture of coldness and warmth, desolation and soul, was perfectly represented by May's Techno experiments.
Join us for a very special night with this iconic figure of the electronic music world, and a firm Adelaide favourite who last visited our City in 2007, straight out of Detroit USA, the one and only DERRICK MAY!
Last edited by JamRock: 15-Mar-12 at 05:20pm