(New Identity/Inertia)

DJ SS needs no introduction. From killing dance floors worldwide, not to mention Australia, he is one of the very biggest names to emanate from the old school jungle scene, to the new school – drums and basses. This double CD, featuring 34 tracks is the fourth installment of the Jazz and Bass Sessions from New Identity – a label setup by DJ SS in 1996, as an outlet for more experimental music – music not necessarily suited to the already established Formation Records.

From the outset, let me say that this is not the storming and raucous style you may anticipate from SS. On the contrary, it features a far more musical and jazzy side to drum and bass – with respected artists mind you – but allowing them creative freedom in production which covers the entire drum and bass spectrum with an emphasis on jazz – the end result is a beautiful and eclectic piece from the master which helps to encourage the true and the hard, to think outside of that square.

Anyway – the album. From the opening track, Broncho featuring Terhi: Jazz and Bass Theme, it becomes clear that this is going to be a journey and one which is particularly relaxed. This tune possesses a dream like, almost Motown vibe which sets the scene nicely for the rest of the mix. Soul Providaz: Blaze It You encompasses the maddest of freestyles reminding the floor, ‘get your lighters up!’ Indeed, the early parts of the CD possess less in the way of slamming bass and far more funk and jazz – almost in an LTJ Bukem style. Vanishing Point: Chelsea Bridge is simple and plain beats – jazzy and minimal while Twisted Individual: Pony Pleasure, just as quickly moves to a harder and more terrifying drum and bass, while Perth’s own Greg Packer: Supergrass appears also. Pleasure: Take it Down moves the listener back to the old school with what I’ve always fondly referred to as ‘jungle cherry vocals’! Smooth without cheese.

Disc 2 is equally solid with Abstract & SS: Sex in Space, laying down some delightful Latin guitar. I could go on track by track, but it should already be clear that this is a well directed and distinctive. It is not boisterous or tough – nor is it supposed to be. Rather, is it a CD worth listening to over and over – with the odd piece of resilient and breathtaking drum and bass thrown it. Really, really good – and not at all predictable.