Deadmau5 - Random Album Title

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It’s alleged that no actual muppets were harmed during the creation of Deadmau5’s debut artist album. And it’s an effort that blurs the line between an album and a mix compilation. “How can it be both?”, I hear you you ask. Well it just can, OK? It’s the Mau5’s world and he’ll do what he wants. The album’s mixed. Seamlessly. And at least four of the tracks are already in the open, getting cranked out of crates and dropped onto dancefloors everywhere, and sitting at the top of Beatport download charts for weeks on end. But yes, Random Album Title consists exclusively of Deadmau5’s own material, which makes this his debut artist album.

Sure I’m splitting whiska5 here but the sidestepping of definition and genre morphing is part of the Deadmau5 genius. That, and the age old ‘giving the punters what they want’. He walks a fine line between commercial and underground, staying popular with the ‘hands-in-air’ masses and credible with the fanboys at the same time. The man under the muppet head is Joel Zimmerman. He’s only been at it for a few years but already he’s been hoovering up the accolades and stealing the Beatport crown for ‘Most Influential Person’ for the past two years running. I could bang on about his back catalogue and industry cred, exactly who’s chased him for remixes and so on. But the music itself tells the story, so let’s get on with that shall we?

Twelve tracks. Eight new, four familiar already. Five apparently will only ever be released on this album. (the press release doesn’t mention remixes though, so I imagine it will be game-on for that). And Zimmerman’s an utter gear freak, so the quality of the production and mastering is impeccable and elite.

The first few tracks are electo-tech experiments. Sometimes Things Get, Whatever bleeps along relentlessly with robo-android vocals and deceptively simple breakdowns (I’m pretty sure the binary-coded DNA sequence for cloned yeast is hidden in there somewhere). The morph into the familiar Complications is seamless, it could be the same track. Then somehow we have drifted into more progressive territory with Slip and Brazil. Big synthy hooks, sweet loops and off-kilter cross rhythms give heart to the electronica.

Alone With You sets a trajectory back to the electro workshop with a cute loop that’s sure to appear in sets everywhere this summer. The melody is slowly pared back to it’s minimal sequence, and then out of nowhere drops the commercial house intro to I Remember, with the sweet production skills of Kaskade. Surprise. This track is already in the Beatport top 10 downloads list

We’re already well familiar with progressive monsters Not Exactly and Faxing Berlin. They’re the same here as the versions you’ve already downloaded, but Berlin gets an extra lashing of lushness with an evocative acoustic piano intro that has you reaching for the hot chocolate and dreaming your way along rainy auto-bahns. Zimmerman lets his crack classical piano training loose again with the harp-piano-strings intro to Arguru before cutting loose with a satisfying dose of beats. It could have all ended here quite happily, but in a final twist we are back to electroland with So There I Was and dreaming our way through nebulae and distant star clusters.

The genius about this album is that you completely forget that the tracks were not created separately, and then mixed together in the final stages. This is one complete soundtrack, and the blending and transitions are part of the structure of the songs themselves. Notable omissions are Deadmau5’s spanking new electro dancefloor pleaser Hi Friend, and the more symphonic progressive Clockwork. I would have also thought that Move With Me, another recent Kaskade co-production would get a run. But as I said before, it’s the Mau5’s world. Who are we mere mortals to argue.

Check out the tracklisting…

1. Sometimes Things Get, Whatever
2. Complication
3. Slip
4. Some Kind of Blue
5. Brazil
6. Alone With You
7. I Remember
8. Faxing Berlin – Piano Acoustica Version
9. Faxing Berlin
10. Not Exactly
11. Arguru
12. So There I Was

Stay tuned for plenty of Deadmau5 coverage in the leadup to his tour with Good Vibrations next year and click here to check out the Snap! gallery chronicling the creation of the Mau5head!

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zealbee

zealbee said on the 16th Oct, 2008

This album is terrible. 5 out of 12 tracks have already been released. Don't bother with this!

Spekman

Spekman said on the 16th Oct, 2008

deadmau5 is getting sooo repetitive and predictable.... out of ideas it seems...

Spekman

Spekman said on the 16th Oct, 2008

he's still farken awesome tho... needs to do more dirty stuff but!!! less prog more dirt!!

youngman

youngman said on the 16th Oct, 2008

Good review - can't wait to read some more predictable mau5 bashing

Richierich5381

Richierich5381 said on the 18th Oct, 2008

Nice review from a balanced writer - will check it out on the back of this for sure. Nice one!

I Film Shit

I Film Shit said on the 21st Oct, 2008

Schossow is onto something here, deamdau5 although does produce rippers, they die almost as quickly as they became popular. If you want tracks to be able to last, they need to be more sophisticated. The art of simplicity doesnt apply in the form of dance

boi85

boi85 said on the 22nd Oct, 2008

Rubbish. Just rubbish. The only thing more rubbish than his productions are his DJ sets. As for this article being balanced, is also (here it comes) rubbish, it's not even factually correct, for example the statement "He’s only been at it for a few yea

merck_bends

merck_bends said on the 22nd Oct, 2008

not bad. bit different to the corn. havn't really been moved by much of late for full length releases so this does alright for a listen. he is a major nerd tho. i havn't seen him do a Tiesto/Digweed "im all fcuked up inside, depressed, at the same time Im

StreX

StreX said on the 23rd Oct, 2008

shutup idiots. the mau5 rocks harder than you ever will. def buying this album.

Verbal

Verbal said on the 24th Oct, 2008

blah blah blah.... its such a cliche to rag on a musician/singer/producer these days when they become successful. Its SO boring to hear rants from absolute nobody's who have acheived JACKSHIT in the industry, but rag on individuals who are actually making

Kitty99

Kitty99 said on the 25th Oct, 2008

i can agree with 50 to 50 of this. Deadmau5 is unique as he has balance trance progressive house to his sound. he has appeal and the mainstream crowd embraces it, however his tracks do all sound similar in a way but its nothing dull, his tracks are vibra

Lloyd J

Lloyd J said on the 25th Oct, 2008

Well said Verbal. I really enjoyed this ablum. Each to their own tho a?!

bluepeople

bluepeople said on the 28th Oct, 2008

rockin albulm. very pleasently surprised. should pull well for good vibes. and to the rest of you fools, didnt your mother every teach you that if you aint got anything nice to say then dont say anything at all. worlds just full of haters i guess. rock on

Rocca

Rocca said on the 28th Oct, 2008

"its such a cliche to rag on a musician/singer/producer these days when they become successful." when said producer rehashes his own work, makes dumbass comments in interviews and has diva standoffs with other producers, the 'cliche' ragging may be des